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Publications

ARTICLES

OP EDS

BLOGS AND BLOG POSTS

Dec. 6, 2024          "Today’s science skepticism goes back to the scientific revolution," UC Press Blog, From Our Authors

Nov. 28, 2024         The Page 99 Test and Review by Marshal Zeringue, The Page 99 Test

REPRINTS AND EXCERPTS

Nov. 13, 2024          "What Killed Venetia Digby? A Story of Marriage and the Evolution of the Entire Concept of

                                         Medication," History News Network

PREVIOUS BOOKS

Before The Apothecary's Wife, I published academic books for fellow scholars.

Book cover, black with white cursive text, author name and title.

University of Delaware Press, 2005

This book shows how the character of the widow, who appears surprisingly often in the developing novel, represented economic concerns during the emergence of global capitalism. Widows were anomalous women: they could hold property, sign contracts, start businesses, rule their families, and so on. Writers of the period used these independent women to set gender rules for the economy.

Palgrave Macmillan, 2014

The invention of the novel and the scientific revolution occurred at the same time in England. Coincidence? Of course not. The scientific revolution's ideas of the self converged with novelists' interest in the psyche, resulting in the third person omniscient point of view and what we call "science writing" today.

Book cover, self-portrait of Angellica Kaufmann, neoclassical, learning.
Book cover, orange and red geometric with title and author. Film, adaptation.

Palgrave Pivot, 2017

Why were there so many films and tv programs set in the eighteenth century during this period? This book shows how these representations were designed to sanitize the origins of the United States.

Co-edited with Dr. Mona Narain

Routledge, 2014

The essays in this collection examine ways that space shapes different works of literature and how the representation of space reveals evolving British concerns and values during this period.

Book cover, interior, woman working, green room, window, desk.

engagement queries

Please contact Emma Bal

44 077 103 072

Madeleine Milburn Literary, Television and Film Agency

The Factory

1 Park Hill

London SW4 9NS

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